I recently got tagged in the Canadian Writers’ Writing Process Blog Tour, which has been going around for months. I was tagged by Ottawa writer Cameron Anstee. So, I’ve got four questions to answer:
1. What am I working on?
Well, this is awkward, because that was what my last post was about. But I’d say that of the things on my plate, the one I’m most interested in, and am the farthest along with, is the draft of the YA fantasy book about Shakespeare Land. I’ve got a massive backstory for Sycorax, who is so not dead. And, oh, Hamlet is the captain of a pirate ship (he took over the ship instead of returning to Denmark). A pirate airship.
2. How does my work differ from others of its genre?
Hmmm. I’m going to take this question to be referring to my work in progress, which is totally unlike anything I’ve written before (I’ve mainly published poetry). I don’t know for sure yet, but here’s what I hope. I did go on a YA reading binge for the project, and found that books in the small sub-genre of Shakespeare-related YA books tend to be romances. I found one that had both fantasy and romance elements, though I may have missed others. I wondered, why can’t I do a Shakespeare book for fantasy readers? There’s so much supernatural in Shakespeare. I’m still looking at a romantic sub-plot, but I’m pretty committed to avoiding a sunset-ending romance. My heroine is questioning her sexual orientation, for one thing, and I don’t intend for the outcome of that to be clear even to her by the end of the story
3. Why do I write what I do?
“Try everything” is my current writing motto. When I was a teenager, I wrote whatever I wanted: humour, plays, choose-your-own-adventure, audio plays, whatever seemed like a good idea at the time. Then somehow, I can’t even remember how, I ended up being a poet. Not that there isn’t a huge field to work in there – poetry is so vast – but I kind of felt hemmed in by my own work. Maybe I’m entering premature second childhood, but I’m trying to come back to a place of “anything goes” in choosing what I work on. Though I have a new book of poetry coming out soon, the writing of it goes back years. I am sort of trying to give poetry a rest for a while. Maybe it’s not just age: I think I can also blame this on teaching, which has made me think about many different genres and styles of writing in ways I wouldn’t have considered before.
4. How does my writing process work?
Oh, that depends. It has changed so much. My forthcoming poetry came about through the accumulation and filtering of fragments, but some of my earlier works were very “project” oriented, in which I’d set myself a number of poems to write about x, y, and z, and though I’d still filter some of it out later, it was through setting myself a structure that I was able to write those projects fairly quickly—at least, far quicker than the new book, which was a nightmare. I’m writing the first draft of this novel via an extensive outline (and using Scrivener), though I’m still expecting the revision process to be its own nightmare.
That’s all, folks. I’m tagging my friend and colleague, Winnipeg’s Sally Ito.